![]() There should be a way for not only myself - but also every amateur, student or professional musician to make the stage ‘your’ own safe place to be where ‘you’ feel comfortable instead of uneasy and stressed it has to be ‘your’ sanctuary. That was my start position of my research, to find out how to reduce negative stress and turn it into good focus. I played my pieces unconsciously like I was on auto-pilot because of performance anxiety. I had the experience myself that I could not control my focus on stage. Many musicians, including me had issues with performance anxiety on stage at concerts, auditions and exams. While studying at the university, he served as the principal trumpet player at the Seoul Metropolitan Youth Orchestra and has been working as a trumpet member in the Bucheon Philharmonic Orchestra in Korea since 2015. He earned his a Bachelor of Arts and Master of Arts in trumpet performance from Korea National University of Arts. SangHyun Song was born in Seoul, South Korea and is studying in the master's program with Erwin ter Bogt and Gertjan Loot at the Royal Conservatoire the Hague. This research also explains the various rhythm patterns of Korean traditional music Jangdan, which is difficult to be expressed by modern staff notation. Thus, four Daegeum techniques were applied to this method of playing this piece, and I explained which mutes can mimic the sound of Daegeum as closely as possible. ![]() While analyzing it, I found out that the concerto was similar to Sanjo, a form of solo instrumental music and that it can be applied to the performance of Daegeum, a Korean traditional bamboo flute. For trumpet players, I have created the quick guide to understand and perform it better. This research introduces composer Jong-Uek Woo and explains Korean traditional music materials and how to practice and perform this work. After observing non- Korean trumpet players play this piece a few years ago at the Jeju International Brass-Percussion Competition in Korea, I was motivated to create this quick guide for non-Korean players. This research project is a “quick guide” for the Trumpet Concerto composed by Korean composer Jong-Uek Woo.This Trumpet Concerto is influenced by Korean traditional music and uses traditional elements such as Korean rhythmic patterns, traditional instrument sounds, and singing styles. Summary of the results of the research and an explanation of the chosen format of presentation: Is it possible to present a guide for trumpeters to help us perform and interpret this concerto in a better and more authentic way?Ħ. Research question How can I help my fellow trumpet players and myself understand this music better? Title of research A Quick Guide for Concerto for Trumpet by Jong-Uek Wooĥ. Name of research supervisor(s) Timothy DowlingĤ. ![]() This research will provide and explore the approaches that are necessary for starting ensembles in order to enter and to promote themselves in the music industry. The importance of good and well thought-of programs and repertoire, collaborations with composers, guidelines how to introduce your group to programmers of venues and the cleverest ways to use social networks are subjects that will be treated in this research. The outcome of these experiments will show that there are good and bad ways to promote your ensemble. We have been executing some experiments with my new percussion trio “XTRO”. This research investigates the possibilities we have, as a new ensemble, to enter into the professional music world. ![]() Practice is important but we should not forget that nowadays contemporary/modern music has to struggle to get new audiences. As a student I think it is caused by too much focus on developing instrumental skills, as for a future career, there are more skills a student should develop. Many students, including me, have problems to change from their student-life to the professionallife.
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